My artistic practice is grounded in my own concept of Expanded Art. It is both my creative methodology and artistic principle, in which artistic media are understood not as separate disciplines but as interdependent states within a single creative process.

 

Reconsidering Descartes' proposition, "I create, therefore I think, therefore I am." For me, the creation of an artwork is not merely the outcome of reflection but also a way of understanding the world, engaging with it, and constructing a singular experience within a reality that is constantly changing.

 

Within the framework of Expanded Art, photography, video, sound, music, installation, performance, opera, printmaking, drawing, and text do not exist as isolated artistic forms. While each medium possesses its own specific qualities, it can transform, intersect with others, and shift from one artistic language to another according to the internal logic of each project. The artwork becomes an open structure in which different artistic languages exist in a continuous state of interaction and mutual transformation.

 

For me, Expanded Art is not simply the combination of different artistic forms but a way of thinking based on the rejection of fixed boundaries and hierarchies between media. Form emerges from the idea, and the choice of artistic language becomes a consequence of the work's conceptual necessity. An image may become a sonic experience, sound may become a spatial environment, and the materiality of an object may become a means of exploring memory, the body, and perception.

 

At the core of my practice lies the human experience within a reality of constant transformation. I explore the fragility of human existence, the impact of ecological crisis, different forms of violence, and global conflicts on the individual, as well as the capacity to preserve a meaningful relationship with the surrounding world.

 

A central aspect of my work is the exploration of the world's non-binary nature: the dissolution of established boundaries between humans and nature, the body and technology, reality and illusion, the past and the future. I regard instability, contradiction, and multiplicity as fundamental conditions of contemporary experience, in which different states can coexist simultaneously.

 

Through a range of artistic languages, I create works as spaces of interaction, where the various elements do not merely illustrate one another but instead construct a shared field of perception. It is important to me that an artwork does not communicate a predetermined idea but rather generates an experience of presence within a complex system of relationships, sensations, and meanings.

 

For me, Expanded Art is a way of creating works that reflect the complexity of the contemporary world—its instability, multiplicity, and constant movement between different states.